Background articles
Romanticism from Oxford Music Online: https://doi-org.nlhhg.idm.oclc.org/10.1093/gmo/9781561592630.article.23751
Aesthetics from Oxford Music Online: https://doi-org.nlhhg.idm.oclc.org/10.1093/gmo/9781561592630.article.52965 (part III)
Romanticism from Oxford Art Online: https://doi.org/10.1093/gao/9781884446054.article.T073207
Hermeneutics from Oxford Music Online: https://doi-org.access.authkb.kb.nl/10.1093/gmo/9781561592630.article.12871(kb.nl)
(hanze.nl): https://doi-org.nlhhg.idm.oclc.org/10.1093/gmo/9781561592630.article.12871
Hermeneutics from Cambridge Histories Online (History of Literary Criticism): https://doi-org.access.authkb.kb.nl/10.1017/CHOL9780521300131.011
Rediscovering the language of Classical and Romantic performance (Early Music, Volume 41, Issue 1, February 2010, Pages 72-74): https://hanze.on.worldcat.org/oclc/5817345571
Five Facets of Musical Expression: A Psychologist's Perspective on Music Performance: https://hanze.on.worldcat.org/oclc/438048240
From everyday emotions to aesthetic emotions: Towards a unified theory of musical emotions: https://hanze.on.worldcat.org/oclc/5124176000
What does music express? Basic emotions and beyond: https://hanze.on.worldcat.org/oclc/5150471665
Monday december 9
Video Daniel Levitin
Video Daniel Barenboim
Monday december 16
Comparing three performances of Chopin's etude Op. 10 nr. 3: Murray Perahia, Amir Katz, Lang Lang.
Playlist on Spotify.
Listen to all three and try to describe how they differ in the handling of musical parameters (pitch, dynamics, metre & rhythm, articulation, colour(timbre).
This etude has the lable "Tristesse". What is its origin? Should this affect the performance and why?
Take a look at IMSLP.org how many editions of the Etudes of Op. 10 are available there...
I have discussed these three performance also in my BLOG.
Monday january 13
Chopin Cello Sonata Op. 65 in G minor: