Background articles

Romanticism from Oxford Music Online: https://doi-org.nlhhg.idm.oclc.org/10.1093/gmo/9781561592630.article.23751

Aesthetics from Oxford Music Online: https://doi-org.nlhhg.idm.oclc.org/10.1093/gmo/9781561592630.article.52965 (part III)

Romanticism from Oxford Art Online: https://doi.org/10.1093/gao/9781884446054.article.T073207

Hermeneutics from Oxford Music Online: https://doi-org.access.authkb.kb.nl/10.1093/gmo/9781561592630.article.12871(kb.nl)

(hanze.nl): https://doi-org.nlhhg.idm.oclc.org/10.1093/gmo/9781561592630.article.12871

Hermeneutics from Cambridge Histories Online (History of Literary Criticism): https://doi-org.access.authkb.kb.nl/10.1017/CHOL9780521300131.011

Rediscovering the language of Classical and Romantic performance (Early Music, Volume 41, Issue 1, February 2010, Pages 72-74): https://hanze.on.worldcat.org/oclc/5817345571

Five Facets of Musical Expression: A Psychologist's Perspective on Music Performance: https://hanze.on.worldcat.org/oclc/438048240

From everyday emotions to aesthetic emotions: Towards a unified theory of musical emotions: https://hanze.on.worldcat.org/oclc/5124176000

What does music express? Basic emotions and beyond: https://hanze.on.worldcat.org/oclc/5150471665

 

Monday december 9

Video Daniel Levitin

Video Daniel Barenboim 

Monday december 16

Comparing three performances of Chopin's etude Op. 10 nr. 3: Murray Perahia, Amir Katz, Lang Lang.

Playlist on Spotify.

Listen to all three and try to describe how they differ in the handling of musical parameters (pitch, dynamics, metre & rhythm, articulation, colour(timbre).

This etude has the lable "Tristesse". What is its origin? Should this affect the performance and why?

Take a look at IMSLP.org how many editions of the Etudes of Op. 10  are available there...

I have discussed these three performance also in my BLOG.

Monday january 13

Chopin Cello Sonata Op. 65 in G minor:

Example number 1 

Example number 2